Habitats in danger: The cinemas
1ª
part
“The lights extinguished this is going to begin,/the
girl of the /ya torch occupied their place prelude of which something exciting
is going to happen”
fragment of the Cinema
of White Nacho.
By Su Cinéfila
Majesty Doña Juana the Crazy person
Dedicated with love of
largometraje to Don Armando Cristero, Miguel Angel Ham and Horacio Guerrero the
Great Diva of the Nacional Cinema
Aaay my hijooos! , it shouts Our regal damita with
ultratomb voice; when happening through the streets of Fray Servando Teresa de
Mier and seeing the gravel of that cinema that was the Colonial Cinema constructed by Carlos Crombé and inaugurated the 1
of June of 1940 for 5000 people [1]. Ustedas which the Blockbuster and the monopolies of chiquitas rooms were born in the
days of, does not know what they mean for the history of binds gay, these great
spaces. In these places many homosexuals found if not the great love of their
life, if the passion in a voluntary permanence. Nowadays, the independent
cinemas are very few; almost all the rooms belong to Cinemark or Cinemex and
are so decent and pulcras! , that any attempt of binds, it wraps or it takes is
totally impossible.
For that reason Su Maje it will give a review
them on these spaces in extinction beginning with 22 of March of the 1895 with
the projection for the first time and for a public of 30 people cinematographic
experience in charge of the Lumiere brothers: the cinema had been born [2]. The cinema made its appearance in Mexico in
August of 1896 when Gabriel Vayre and Fernando Bon Bernard offered to Don
Porfirio Diaz a demonstration of the cinematograph, being the first public
projection the 14 of August of that same [3] year [4]. Don Porfirio was not contented with being
a simple spectator, in addition it shone like first actortz of the incipiente
Mexican cinema.
In Mexico;
the direct antecedent of functions XXX was the “single functions for man” whom [5] was attended through a participation card[6]. On these functions direct denunciation on
the part of the clergy does not exist; nevertheless a quiet persecution existed
towards the cinema in general to consider it immoral and sinful. In January of
1899 it appears in the Humorous
magazine a commentary against the seventh art, mentioning the secret of the
“functions for single men” where one comments that not only there is sex, but
also alcohol - Doña Juana supposes, that the most abused not only they also had
alcohol and sex but men! -. The pornography causes such commotion, that the
City council of the City of Mexico prohibits cachondítzimas! Renaissance
paintings of the covers of the boxes of [7] matches [8].
In those time a journalistic note of Bow of Union ignited the debate to open
or not a theater for “single men”. In the note, it was indicated that the fact
already comprised of the public diversions in Europe and the United States;
requesting which the entrance to these establishments to minor refused and to
maintain [9] monitoring police [10] so that this last recommendation? , Doña
Juana asks itself Will not be that when being single, they will get to have bad
thoughts towards the others?
One of the first rooms for “single men” was the America
located “in the stops of Ex- seminary”. To Su Maje is to him peculiar the
request so that these theaters or rooms had a special license due to the
“scandals” that were caused, similars to those of the “[11] tolerated houses” [12]. The wise person already says will refrán:
“the prohibited thing, is looked for” and before the refusal of the City
council of the city of Mexico to open a theater for “single men in secrecy” or
to allow functions for this noble aim, this was made and semisecrecy obtaining with
it as much industralists as the City council; great gains and tumults in the
streets. [13]
Pero as they were films XXX in those times in Mexico? ,
surely they will ask ustedas… because it happens that the pornographic
photography was its more direct antecedent and for want of some attested older,
we will present/display the one of Don Vale Cervantes: “Speech a Mexican that
were immoral films, I do not decide to me how it was called, a fat person he,
ay I do not decide to me the name… he made films immoral… arrived here at
Puebla, and it invited to me in an occasion, took care to surprise pairs that
arrived at the [14] hotels…” [15]. The case is that it filmed them and soon
mysterious Mr. X walked them exhibiting in the cinemas! How sees? There am one
of the precursors of the pirate DVDS of Hotels XXX there that are sold today in
the streets of the City of the Palaces.
In the street of Santa Veracruz Not 19, was the Venice Hall, where films of explicit sex
projected, that is To-give-you-you-to! And if they did not find who consoled to
you inside, existed for bugas hardened prostitutas of which[16] gives [17] Rescuing faith I novate [18]. And as always it happens; the authorities
played with the double Mexican moral; on the one hand they were against the sin
and by the other they allowed to the functions for single men this way the
functions for single men leave for example the Degollado Theater in Guadalajara
and they now take refuge to the Apolo Theater - Cuauhtemoc- Cinema or to the
working carp to a flank of the Church of San Juan de [19] God [20].
Between 1920 and 1940 because of the American
moralina several films XXX were filmed in our country; between the hetero they
are: Sueño de Fray Vergazo, the
girls - whom an act contained
lésbico-, the Crazy Monk and Story of a [21] shelter of mink [22]. Most of these materials were
projected during first half of century XX in brothels or the clandestine the Card, Isabel the Catholic #, in center
historical cinema of City of 14 Mexico
and property of the Spanish bookseller Amadeo Perez [23] Mendoza [24]. Marichi of the Baptist already confesses
to us that now the first films are filmed porno gay in Mexico where
are pieces in the Filmoteca of the UNAM. Between films gays honors the
titleholder: The homosexuals where at
the beginning of the film it appears a warning: “it is a film outside the
common thing and including revolting, but that is necessary to see” [25]
To that they did not know the other history of the cinema?
So we will happen to a non-uniform and interesting part of our places in
danger: The history of the censorship, that in agreement with the
cinematographic critic Rafael Aviña, goes back to the period of president
Francisco I. Log, when the first restrictive lineamientos for the incipiente
filmic activity in the public moral settled down please. In fact, at the end of
1910, a department of Cinematographic, dependent Censorship of the Secretariat
of Interior worked already [26]. The moral has been pretext of the governmental
scissors, but the politically incorrect subjects have given much more that to
do to the Mexican authoritarian system [27].
In 1899 the City council of the three
Mochilota times City of Puebla of Los Angeles received a reclamation by the use
of the Guerrero Theater to project films “for single men” and as all it
purifies the fire, the theater caught fire in 1909. In San Luis Potosí also the good consciences
made their damage. In the Twenties we have the dumb cinema and one of great
works would be Santa of the book homónimo of Gamboa. Towards 1918 the first
rooms of cinema already regulated and done for these aims would be born.
Between the old rooms of cinema that became video rooms
porno is the Cinema Teresa constructed in 1924 on San Juan de Letrán Not 109,
today Cardinal red Central Axis Lazaro, the call “cinema for young ladies” that
reproduced all the elements of the Art Déco, lost during the remodeling
undergone towards years 30 with the extension of San Juan de Letrán. Almost it
was demolished in its reinaugurado totality and in 1942 as at the moment we
know it. It is probable that this reconstruction safe him of the earthquake of
the 85. To only a year of constructed to the cinema Teresa; Salvador I novate dedicated to Antonio Dodero
its poem to him Cinema: “Inmotivada Amiga of the cinema whose objects of hand
were guilty of our friendship - like in Castilian Literature -/because they
fell next to my…”.
Nowadays you bind them, you wrap and cojes without
commitments in certain cinemas is the bread of every day; but not always he was
thus, for example poet Elías Nandino comments that she leagued together to his
chacales in the general baths and of invited them there to eat and to the
cinema to work them little by little: “In another occasion I embraced it in the
cinema. As he did not do anything I took his arm and I put it in my neck. A
little separated. - Is necessary that it embraces to you? - Yes, but hard - I
said approaching me its ear. To thus I was taming…” [28]it [29]. Nandino also speaks to us of the cinito
in Lecumberri that would be the delight for the profligates of ustedas: “There
were days in which they made functions of cinema in which they joined all the
population of the penitentiary. I imagine that, while passed the film, in the frightful
armchairs they organized one orgías because invariably to both days of which
they had gone to the cinema the prisoners with [30] sexual infections abounded” [31]. This history CONTINUED….