Habitats in danger: The cinemas

1ª part

“The lights extinguished this is going to begin,/the girl of the /ya torch occupied their place prelude of which something exciting is going to happen” 

fragment of the Cinema of White Nacho.

By Su Cinéfila Majesty Doña Juana the Crazy person

Dedicated with love of largometraje to Don Armando Cristero, Miguel Angel Ham and Horacio Guerrero the Great Diva of the Nacional Cinema

Aaay my hijooos! , it shouts Our regal damita with ultratomb voice; when happening through the streets of Fray Servando Teresa de Mier and seeing the gravel of that cinema that was the Colonial Cinema constructed by Carlos Crombé and inaugurated the 1 of June of 1940 for 5000 people [1][1]. Ustedas which the Blockbuster and the monopolies of chiquitas rooms were born in the days of, does not know what they mean for the history of binds gay, these great spaces. In these places many homosexuals found if not the great love of their life, if the passion in a voluntary permanence. Nowadays, the independent cinemas are very few; almost all the rooms belong to Cinemark or Cinemex and are so decent and pulcras! , that any attempt of binds, it wraps or it takes is totally impossible.

El cine Odeón fue inagurado 1922 en la calle de Mosqueta. La obra fue realizada por el arquitecto Carlos Crombé. Foto: INAH, Pachuca. Fondo México, D.F.For that reason Su Maje it will give a review them on these spaces in extinction beginning with 22 of March of the 1895 with the projection for the first time and for a public of 30 people cinematographic experience in charge of the Lumiere brothers: the cinema had been born [2][2]. The cinema made its appearance in Mexico in August of 1896 when Gabriel Vayre and Fernando Bon Bernard offered to Don Porfirio Diaz a demonstration of the cinematograph, being the first public projection the 14 of August of that same [3]3 year [4][]. Don Porfirio was not contented with being a simple spectator, in addition it shone like first actortz of the incipiente Mexican cinema.

In Mexico; the direct antecedent of functions XXX was the “single functions for man” whom [5][4 was attended through a participation card[6]]. On these functions direct denunciation on the part of the clergy does not exist; nevertheless a quiet persecution existed towards the cinema in general to consider it immoral and sinful. In January of 1899 it appears in the Humorous magazine a commentary against the seventh art, mentioning the secret of the “functions for single men” where one comments that not only there is sex, but also alcohol - Doña Juana supposes, that the most abused not only they also had alcohol and sex but men! -. The pornography causes such commotion, that the City council of the City of Mexico prohibits cachondítzimas! Renaissance paintings of the covers of the boxes of [7]5 matches [8][].

The Granat cinema, already disappear, was inagurado in 1923. Photo: INAH, Pachuca. Mexico bottom, D.F.In those time a journalistic note of Bow of Union ignited the debate to open or not a theater for “single men”. In the note, it was indicated that the fact already comprised of the public diversions in Europe and the United States; requesting which the entrance to these establishments to minor refused and to maintain [9]6 the monitoring police [10][] so that this last recommendation? , Doña Juana asks itself Will not be that when being single, they will get to have bad thoughts towards the others?

One of the first rooms for “single men” was the America located “in the stops of Ex- seminary”. To Su Maje is to him peculiar the request so that these theaters or rooms had a special license due to the “scandals” that were caused, similars to those of the “[11]7 tolerated houses” [12][]. The wise person already says will refrán: “the prohibited thing, is looked for” and before the refusal of the City council of the city of Mexico to open a theater for “single men in secrecy” or to allow functions for this noble aim, this was made and semisecrecy obtaining with it as much industralists as the City council; great gains and tumults in the streets. [13][8]

Pero as they were films XXX in those times in Mexico? , surely they will ask ustedas… because it happens that the pornographic photography was its more direct antecedent and for want of some attested older, we will present/display the one of Don Vale Cervantes: “Speech a Mexican that were immoral films, I do not decide to me how it was called, a fat person he, ay I do not decide to me the name… he made films immoral… arrived here at Puebla, and it invited to me in an occasion, took care to surprise pairs that arrived at the [14]9 hotels…” [15][]. The case is that it filmed them and soon mysterious Mr. X walked them exhibiting in the cinemas! How sees? There am one of the precursors of the pirate DVDS of Hotels XXX there that are sold today in the streets of the City of the Palaces.

In the street of Santa Veracruz Not 19, was the Venice Hall, where films of explicit sex projected, that is To-give-you-you-to! And if they did not find who consoled to you inside, existed for bugas hardened prostitutas of which[16]] gives [17]10 Rescuing faith I novate [18][. And as always it happens; the authorities played with the double Mexican moral; on the one hand they were against the sin and by the other they allowed to the functions for single men this way the functions for single men leave for example the Degollado Theater in Guadalajara and they now take refuge to the Apolo Theater - Cuauhtemoc- Cinema or to the working carp to a flank of the Church of San Juan de [19]11 God [20][].

Centennial cinema constructed in Coyoacán at the end of the years veintes. Photo: INAH, Pachuca. Mexico bottom, D.F.Between 1920 and 1940 because of the American moralina several films XXX were filmed in our country; between the hetero they are:  Sueño de Fray Vergazo, the girls - whom an act contained lésbico-, the Crazy Monk and Story of a [21]12 shelter of mink [22][]. Most of these materials were projected during first half of century XX in brothels or the clandestine the Card, Isabel the Catholic #, in center historical cinema of City of 14 Mexico and property of the Spanish bookseller Amadeo Perez [23]13 Mendoza [24][]. Marichi of the Baptist already confesses to us that now the first films are filmed porno gay in Mexico where are pieces in the Filmoteca of the UNAM. Between films gays honors the titleholder: The homosexuals where at the beginning of the film it appears a warning: “it is a film outside the common thing and including revolting, but that is necessary to see” [25][14]

To that they did not know the other history of the cinema? So we will happen to a non-uniform and interesting part of our places in danger: The history of the censorship, that in agreement with the cinematographic critic Rafael Aviña, goes back to the period of president Francisco I. Log, when the first restrictive lineamientos for the incipiente filmic activity in the public moral settled down please. In fact, at the end of 1910, a department of Cinematographic, dependent Censorship of the Secretariat of Interior worked already [26][15]. The moral has been pretext of the governmental scissors, but the politically incorrect subjects have given much more that to do to the Mexican authoritarian system [27][16].

Inner Vista of the main lobby of the cinema Operates. Photo: AGN. Bottom Enrique DiazIn 1899 the City council of the three Mochilota times City of Puebla of Los Angeles received a reclamation by the use of the Guerrero Theater to project films “for single men” and as all it purifies the fire, the theater caught fire in 1909. In San Luis Potosí also the good consciences made their damage. In the Twenties we have the dumb cinema and one of great works would be Santa of the book homónimo of Gamboa. Towards 1918 the first rooms of cinema already regulated and done for these aims would be born.

Between the old rooms of cinema that became video rooms porno is the Cinema Teresa constructed in 1924 on San Juan de Letrán Not 109, today Cardinal red Central Axis Lazaro, the call “cinema for young ladies” that reproduced all the elements of the Art Déco, lost during the remodeling undergone towards years 30 with the extension of San Juan de Letrán. Almost it was demolished in its reinaugurado totality and in 1942 as at the moment we know it. It is probable that this reconstruction safe him of the earthquake of the 85. To only a year of constructed to the cinema Teresa; Salvador I novate dedicated to Antonio Dodero its poem to him Cinema: “Inmotivada Amiga of the cinema whose objects of hand were guilty of our friendship - like in Castilian Literature -/because they fell next to my…”.

Nowadays you bind them, you wrap and cojes without commitments in certain cinemas is the bread of every day; but not always he was thus, for example poet Elías Nandino comments that she leagued together to his chacales in the general baths and of invited them there to eat and to the cinema to work them little by little: “In another occasion I embraced it in the cinema. As he did not do anything I took his arm and I put it in my neck. A little separated. - Is necessary that it embraces to you? - Yes, but hard - I said approaching me its ear. To thus I was taming…” [28][it [29]17]. Nandino also speaks to us of the cinito in Lecumberri that would be the delight for the profligates of ustedas: “There were days in which they made functions of cinema in which they joined all the population of the penitentiary. I imagine that, while passed the film, in the frightful armchairs they organized one orgías because invariably to both days of which they had gone to the cinema the prisoners with [30]18 sexual infections abounded” [31][]. This history CONTINUED….



 



[1][1] ALFARO H. Francisco and Alexander Ochoa, the republic of the Cinemas, Ed. Clío Mexico, pág 23.

[2][2] BESOLI, Rafa, the first cinema in Homos all history, Vol. 8 the Finisecular Change, Bowsprit Editions, Barcelona, 1999, pág 24.

[3][3] SANCHEZ PADILLA, Felipe de Jesus, compared Chronology (unpublished)

 

[5][4] LOYAL, Juan Felipe, Carlos Flores and Eduardo Barraza, Graphical Annals of the cinema in Mexico 1895-1911, Editions EON/Yoyeur, Mexico, 2003, pág 44

 

[7][5] Op Cit pág 48.

 

[9][6] Op cit pág 48

 

[11][7] Op cit pág 49

 

[13][8] Op Cit pág 50

[14][9] OF the KINGS, Aurelio, Valente Cervantes: first cinematographic fates in Mexico, Filmoteca UNAM, Mexico, 2001 pp 48-49.

 

[16][10] I NOVATE, Salvador, the Statue of Salt, CONACULTA, Mexico, 1998 p 114.

 

 

[19][11] OF the KINGS, Aurelio, the origins of the Mexican cinema, Bottom of Economic Culture, Mexico 1983 pp 140-141

 

[21][12] http://eltiempo.terra.com.co/cine/noticias/ARTICULO-WEB-_NOTA_INTERIOR-2054457.html

 

[23][13] Op Cit.

 

[25][14] SANCHEZ AMBRIZ, LETICIA, the prehistory of the cinema porno gay in Mexico, Adanes; Year 2; Vol. 2; Not 17; Mexico, 2000, p 26

[26][15] http://www.mexicanadecomunicacion.com.mx/Tables/FMB/foromex/censura.html

[27][16] Op Cit.

[28][17] AGUILAR, Enrique, Elías Nandino: a no7velada life, Ed. the Ocean, Mexico, p 163 and 189