musical experiencesGuillaume Pinard, myself, and others
Guillaume Pinard
was born in 1971, he lives and works in Toulouse.
With the cartoons drawn by Guillaume Pinard, obsessions build up perturbing stories. Led and attracted by their childish, smooth, naive quality, the viewer is violently plunged into the horrible plights faced by the reluctant heroes devised by the artist. The two eyeballs, the main protagonists of "Le retourne", a 14' animated cartoon, a nagging, fantastical ellipse, go through surprising adventures, the narrative composition of which reminds you of Czech masters' animated cartoons , from Karel Seman to Jiri Trenka.In the face of Guillaume Pinard's haunted world, psychoanalysis is not enough to understand the images and the situations, it is a clue not legitimation. The drawings, whether animated or in hundreds of exercise book pages, suggest projection, recognition fields, an amoral, slightly sadistic , definitely fascinating outlet .
(my soundtrack for this paragraph reCast II)
TUSSLE
They've ended up in quite a few of my mixes; i've yet to be able to explain why i'm so fasinated by their groove, perhaps it's the simple minded ness of the beats or the fact that it is progression of beats similar to Adrian Michna's 'EggFooYoung' but not nearly as hip hop focused some thing they call 'Ghetto Tech / Booty Bass Electro' from the label touchin bass____Andrea Parker’s own Touchin’ Bass label is now a firm fixture on the electronic music radar. With 10 releases under its belt including, EggFooYoung from Miamis Secret Frequency Crew, Chaotic State, ADJ, Hydraulix, Cultek, Detroit’s MANASYt, Bass Junkie, Sync 24, Andrea Parker and David Morley, plus a collaboration between herself and Detroit’s DJ Godfather and DJ Assault. Touchin’ Bass is one of the world’s premier electro labels.; although I would be hard place to call TUSSLE rock either. Tussle composed a 11 minute track for Brian Miller's Tape Club for release on a limited edition cassette in Feb. Join the club here.
Give'em a listen and let me know what u think;
speaking of non specific genre..
jazz Scream
another minor compostion of mine; i got this and a few others on MySpace iDLg actually, only 3 tracks on that site and i am working on the fourth, esp., since they only allow 4 for free, i'll change em as i go; i'm definitly open to criticism/review and would greatly dig the feedback.
Sad_Sack sounds of the city detail I've been terribly attacted to the label Thirsty Ear's blue series; thus far i've collected a few 12" tracks like DJ Wally's Meat Beat Manifesto and DJ Logic's remixes and now i'm after Matthew Shipp's 'One':
Matthew Shipp says so much without ever using a word. In "One", his latest release for Thirsty Ear's Blues Series, Shipp sends up a powerful entourage of solo acoustic tracks. Where previous releases have been on a voyage through electronica and hip- hop, this album comes full circle and presents a pure and intimate taste of what Matthew Shipp Is all about. Him and his weapon, the piano.
and now folks, a parting iDLg song, or couple of songs; most of the time i compose with Garage Band, and various Krog, Roland and Boss synth's; myth_Bent
phunk
(my soundtrack for this paragraph reCast II)
TUSSLE
They've ended up in quite a few of my mixes; i've yet to be able to explain why i'm so fasinated by their groove, perhaps it's the simple minded ness of the beats or the fact that it is progression of beats similar to Adrian Michna's 'EggFooYoung' but not nearly as hip hop focused some thing they call 'Ghetto Tech / Booty Bass Electro' from the label touchin bass____Andrea Parker’s own Touchin’ Bass label is now a firm fixture on the electronic music radar. With 10 releases under its belt including, EggFooYoung from Miamis Secret Frequency Crew, Chaotic State, ADJ, Hydraulix, Cultek, Detroit’s MANASYt, Bass Junkie, Sync 24, Andrea Parker and David Morley, plus a collaboration between herself and Detroit’s DJ Godfather and DJ Assault. Touchin’ Bass is one of the world’s premier electro labels.; although I would be hard place to call TUSSLE rock either. Tussle composed a 11 minute track for Brian Miller's Tape Club for release on a limited edition cassette in Feb. Join the club here.
Give'em a listen and let me know what u think;
speaking of non specific genre..
jazz Scream
another minor compostion of mine; i got this and a few others on MySpace iDLg actually, only 3 tracks on that site and i am working on the fourth, esp., since they only allow 4 for free, i'll change em as i go; i'm definitly open to criticism/review and would greatly dig the feedback.
Sad_Sack sounds of the city detail I've been terribly attacted to the label Thirsty Ear's blue series; thus far i've collected a few 12" tracks like DJ Wally's Meat Beat Manifesto and DJ Logic's remixes and now i'm after Matthew Shipp's 'One':
Matthew Shipp says so much without ever using a word. In "One", his latest release for Thirsty Ear's Blues Series, Shipp sends up a powerful entourage of solo acoustic tracks. Where previous releases have been on a voyage through electronica and hip- hop, this album comes full circle and presents a pure and intimate taste of what Matthew Shipp Is all about. Him and his weapon, the piano.and now folks, a parting iDLg song, or couple of songs; most of the time i compose with Garage Band, and various Krog, Roland and Boss synth's; myth_Bent
phunk
